Pooja Bhatt is relishing a new chapter in her career, embracing a variety of roles. Yet, she finds herself constantly confronted with inquiries about her relationship status.
The actress recently admitted that she’s frequently asked about her single status, with others attempting to set her up, a situation that deeply troubles her. Pooja reveals that she frequently faces questions about her single status and encounters people who feel compelled to intervene in her personal life.Despite their attempts to “rescue” her and set her up with someone, Pooja asserts her independence, emphasizing that she doesn’t need saving.

Recently featured in the web series ‘Big Girls Don’t Cry,’ the 52-year-old emphasizes that if she seeks companionship, it’s on equal terms. She stresses that she isn’t seeking a solution from a man, as individuals must navigate their own paths independently.

Pooja has been transparent about her personal life, with her relationships often in the public eye. She has previously been romantically involved with Manish Makhija and Ranvir Shorey, maintaining an open-book approach to her personal experiences.
Pooja emphasizes that while finding a companion would be wonderful, she doesn’t view her single status as a deficiency. She cherishes her life, appreciating her family, friendships, and career. Despite well-meaning attempts by others to play matchmaker, she feels content with her life as it is.

People frequently urge Pooja to marry, but she questions the necessity. She’s not interested in matchmaking or introductions. Pooja believes that if destiny brings someone into her life, it will happen organically. For now, she’s content focusing on her career.
She has also been praised for her performances in recent projects like Bombay Begums, Chup, and Sanaa, which have garnered critical acclaim at international film festivals. Pooja expresses contentment with her career approach, emphasizing her willingness to embrace roles that resonate with her. At 52, she values the chance to portray multifaceted characters, evident in her recent work like Big Girls Don’t Cry.